Singularity Principle is a feature length science-fiction film about the consequences of renegade experiments into Parallel Universes. Co-written and directed (with Austin Hines) by physicist Dr. David Deranian, the film pays particular attention to accurate scientific detail. The story starts off with the disappearance of noted scientist Professor Jack Brenner (John Diehl) during a fateful parallel universe experiment. Jack's protégé, Dr. Peter Tanning (Michael Denis) is being interrogated by Dr. Lawrence Cason (William B. Davis) of a clandestine Black-Ops Agency to learn about the experiment and to find out what happened to Jack Brenner. Lawrence makes it clear that he wants to know everything about the experiment, including how parallel universes can be manipulated. The story unfolds with Peter describing the events of the experiment up to the fateful day where...

Singularity is a sci-fi action short film set in the near future about a civil war between humans and sentient androids. The film tells the story of a group of Delta force soldiers who are ambushed by androids as they attempt to rescue the US president.

The film takes place in Ireland – an Ireland where people speak Catalan with a Fassbinder accent – from the 1930 to today, and follows in several parallel directions the sprawling saga of two rival gold mines, the exploitation of artists by Capital, and the simultaneous opening of a brothel where women do not like men. Because he does things his own way, Albert Serra’s most narrative and wordy film was not meant for cinema: produced by the Venice Biennale, it was part of an installation, its chapters shown simultaneously on several screens. Singularity could very well have been called “Velvet Goldmine”, as it sings the meeting of brothels and tunnels, of a golden stud and lustful bodies (both shown as abstractions).

The film takes place in Ireland – an Ireland where people speak Catalan with a Fassbinder accent – from the 1930 to today, and follows in several parallel directions the sprawling saga of two rival gold mines, the exploitation of artists by Capital, and the simultaneous opening of a brothel where women do not like men. Because he does things his own way, Albert Serra’s most narrative and wordy film was not meant for cinema: produced by the Venice Biennale, it was part of an installation, its chapters shown simultaneously on several screens. Singularity could very well have been called “Velvet Goldmine”, as it sings the meeting of brothels and tunnels, of a golden stud and lustful bodies (both shown as abstractions).

The onset of the 21st Century will be an era in which the very nature of what it means to be human will be both enriched and challenged as our species breaks the shackles of its genetic legacy and achieves inconceivable heights of intelligence, material progress, and longevity. While the social and philosophical ramifications of these changes will be profound, and the threats they pose considerable, celebrated futurist Ray Kurzweil presents a view of the coming age that is both a dramatic culmination of centuries of technological ingenuity and a genuinely inspiring vision of our ultimate destiny.

The onset of the 21st Century will be an era in which the very nature of what it means to be human will be both enriched and challenged as our species breaks the shackles of its genetic legacy and achieves inconceivable heights of intelligence, material progress, and longevity. While the social and philosophical ramifications of these changes will be profound, and the threats they pose considerable, celebrated futurist Ray Kurzweil presents a view of the coming age that is both a dramatic culmination of centuries of technological ingenuity and a genuinely inspiring vision of our ultimate destiny.

Dramatisation of the massacre which took place in Colombia in 1948, as a result of conflict between conservative and liberal forces, and concentrating on the character of a former cheesemonger-turned professional killer.

A vindictive high school principal goes on a witch hunt to find a prankster.